The novel opens in 1982, focusing on several characters who
are graduating from Brown University, with flashbacks back to earlier in their
college days, and follows them into young adulthood. Madeleine was brought up
in a well-to-do, happy family in suburban New Jersey. Her father was the
president of a small private university, and her mother was a Martha Stewart
type who is always perfectly groomed and dressed. Madeleine is an English
major, with a focus on Victorian novels. She is writing her senior thesis on
the marriage plot so common in those old novels written by the likes of Jane
Austen and George Eliot.
In Madeleine’s Semiotics class (check out the link – I had
to look it up, too!), she meets an intriguing boy named Leonard Bankhead, a
charismatic guy who Madeleine finds both intellectually and sexually thrilling,
as the two start a relationship together. And there is Mitchell, Madeleine’s
on-again, off-again friend who is actually in love with Madeleine. During his
college years, Mitchell developed a fascination with mysticism and spirituality
and changed his major to Religious Studies, all the while pining over – and
sometimes clashing with – Madeleine.
As the novel opens on graduation day, a very hung-over
Madeleine is trying to meet her obligations with her parents while hiding a
secret about her relationship with Leonard, and enlisting Mitchell’s help, even
though she hasn’t spoken to him in months, because her parents adore him. So,
it’s a bit of a tangled web of relationships that propels the three main
characters into their post-graduation, real-life world…and it gets even more
complicated (as things tend to do in the real world).
True to its literary fiction genre, this is a story all
about people and relationships – the process of finding yourself as a young
adult and figuring out what you want to do with the rest of your life, the struggles
and challenges of young love which can feel so compelling in the moment, and
the way that things can change over time, as we mature. It asks the question: have classic love
stories changed since the 18th and 19th centuries? Is the
happy ending of Victorian novels still the same in modern times or is there a
new kind of happy ending?
I really enjoyed the whole journey along with Madeleine,
Mitchell, and Leonard. I found the first part of the novel intriguing because I
also went to college in the 80’s, so I enjoyed the pop culture references and
the whole college atmosphere of that time period. The one thing I found a bit
off-putting, however, was a bit of literary snobbery that I found almost
laughable. I don’t know about you, but my friends and I didn’t sit around in
college having high-minded discussions of semiotics (which I’d never even heard
of before!) or putting one another down for reading one literary icon over
another. Maybe it’s because I didn’t go to an Ivy League school or because I
was an engineering major and not a lit major…but I doubt it. I stuck with the
novel through these parts (where the dialogue often went over my head and the
literary references included books and authors I’d never heard of) because I
could sense a bit of tongue-in-cheek attitude from the author – I think part of
his point was that these very young adults were trying too hard to sound
intellectual and high-minded. That was a part of their immaturity and growth
process. Or maybe kids at Brown really sound like that!
Like I said at the beginning of this review, most people at
my book discussion (4 of the 6) enjoyed the novel, and two of us who hadn’t
finished it yet wanted to finish it after the discussion. However, two people
said they couldn’t get through it (one was ready to give up at about page 100
and the other said she couldn’t get past page 2!). It seems to be the kind of
book that people either love or hate.
All of those who liked the novel in our group admired
Eugenides’ writing. Although some of his sentences are a bit long and
convoluted, he also has a talent for writing about very mundane things in a way
that makes you say, “Yes! That’s it! He’s said it perfectly.” One example is
this line, thought by Mitchell during the graduation ceremony and probably felt
by most of us at some point during our college experiences: “It was possible to
feel superior to other people and like a misfit at the same time.” These kinds
of That Is So True statements are sprinkled throughout the story.
So, if you are looking for a fast-paced quick read with lots
of action, you should probably pass on this one. However, if you enjoy good
literary fiction with insights into real life and real relationships and
realistic characters who have plenty of depth, all wrapped up with clever ,
insightful writing, then The Marriage Plot
is right up your alley! Now, I really want to read Middlesex.
I really wanted to like The Marriage Plot, but while I enjoyed the writing style and references, the story didn't really do it for me. I will say, though, that I was an English major, and yes we do sometimes talk like that...
ReplyDeleteha ha - thanks for the insight into English majors!
ReplyDeleteSue
Hmmm..I can't decide if this is one I would love or not. A book is always worth the try.
ReplyDeleteThanks for sharing with my Small Victories Sunday linky. Sharing on twitter and G+. Will have to pin it from computer later. I appreciate you linking up this week!!
Hi Sue, I liked The Marriage Plot, but Middlesex, by this author remains a favorite.
ReplyDeleteI heave heard that from many people, Diane! Middlesex has been on my TBR list for a long time - I need to get to it!
ReplyDeleteSue